Thursday, July 30, 2009

berries



Filled with lavender for a friend's birthday. Yesterday it rained heavily, steadily all day. I heard it (beneath the sounds of Sigur Ros) on the skylight while I read articles and took notes and worked on the NPS website and cut and sewed these strawberries.

I only want to have things and make things that I 'know to be useful or believe to be beautiful'. That goes for all my creative work, whether theory, poetry, printmaking, or sewing. And for what I buy and for what I bring into my space.

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Wednesday, July 29, 2009

Lines for the City

Reading Reading Novalis in Montana in Nottingham

Nottingham City Libraries, along with the Nottingham Poetry Series, in collaboration with Milkweed Editions (US; http://www.milkweed.org), is pleased to announce and invite participation in Lines for the City, a poetry reading-initiative to run from August to October 2009.

Lines for the City has chosen Melissa Kwasny's Reading Novalis in Montana to be the first book in this initiative. Kwasny's book, published in 2009 by Milkweed Editions, is an exploration of the complex ways in which we are in the world and of our own internal worlds, as well as the relation between those inner and outer worlds. The poems are challenging, beautiful, and well-wrought; their insistence upon the material and spiritual worlds lends to them an accessibility which never speaks down to the reader.

During the last week of August, three reading groups will be offered as sites for discussion of the book. A reading guide is available at City Libraries, at The Bookcase, and online at this link.

How to participate:

Lines for the City is open to everyone (although you have to belong to the City Libraries to borrow the book from them)! The book is best suited for readers over the age of 16.

Just borrow the book from your local library, pick it up from our official bookseller or order it online (see below). Then read it, think about it, maybe even re-read it, and come along to one (or all) of the reading groups and enjoy a discussion with other interesting and interested readers.

Where to find the book:

The official Lines for the City bookseller is The Bookcase, Lowdham (0115 966 4143, www.thebookcase.co.uk). You can also order it online through Milkweed Editions (http://www.milkweed.org), through the Book Depository (right here) or on Amazon (http://www.amazon.co.uk).

Information about reading groups:
  • Clifton Library: Monday 24th August, 2pm
  • Wollaton Library: Tuesday 25th August, 7pm
  • Nottingham Central Library: Thursday 27th August, 7pm
Questions? Contact Kate Wilkinson, Literature Development Officer, on kate.wilkinson@nottinghamcity.gov.uk or 0115 9151170 (Wednesdays and Thursdays), or email hello@nottinghampoetryseries.com. We look forward to reading with you!

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Sunday, July 26, 2009

festival (2)



I enjoyed so many of the acts, especially Thom Yorke, Doves, Regina Spektor, and Lisa Hannigan, but the most special thing was seeing the Pretenders sing "I'll Stand By You", which was my favorite song from the first time I heard it (at about age 14) all the way through university. I still love that song. We were sitting in the bleacher seats (yeah, the festival was fancy enough that there were actually seats in one of the outdoor arenas!) and I said, 'she'd better sing that song soon, their set must be almost over!' and then she did.

And Doves closed with 'There Goes the Fear', which was great. I also saw Nick Cave & the Bad Seeds, which was pretty cool, even though they exhausted the songs I knew right away (I think I know four or five songs well), and didn't sing 'Into My Arms', which is my favorite Nick Cave song.

Going to festivals--festival culture--isn't something I ever did or was part of in the US, and at first I felt uncomfortable and out of place. Here it seems like most people go or have gone and last year, when I went to ATP, I felt so strange. But I really enjoyed Latitude, although it was overwhelming; there was so much to see and hear. It was great to go with my friends and spend time outside and hear music--and especially to hear Chrissie Hynde sing that song!

P1010116

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Tuesday, July 21, 2009

festival



Spent the weekend in Suffolk at a music festival, Latitude. I liked the lights strung up around the camping areas.

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Tuesday, July 14, 2009

France

rue des arènes
What haven't I told you about the time I spent in France? Arriving in Paris very jetlagged, meeting Zach and waiting alone in Gare du Nord for him, completely hazy and lost, not understanding a single word. Then the train ride like a hallucination, transferring at Dijon, and Zach hoisting my enormous bags onto the platform at Dole, hopping back onto the train, and waving, and me starting to cry, sweaty, exhausted, and lost, with no one at the station to meet me, and no French words to say how I felt or what I needed. And then the porter stepping across the tracks, taking my bags, and calling the school.
The first night alone in the convent where I lived and taught. The shallow hollows in the stone stairs. The smell of the head teacher's office. The shine on thebald head of her deputy. I felt lost, had no telephone, no email, no way to talk to my family or to Zach. I wanted to go home. I hated the language I couldn't make heads or tails of.
Until without really noticing it I began to know where I was--to recognise the gaps between words, the names of streets, the tone that meant someone was joking. I cried in front of everyone, including my students (who then softened and took care of me). I walked everywhere. Got to be friends with the other foreign English teachers, in the way that you will if you have to. Made a few good friends outside of the UK/US cohort. Moved into a tiny, dingy, dark apartment and made things there, and was lonely, and went walking, and broke up with my boyfriend, and went a little mad as you do, and got sick, and had intolerable crushes on French boys, and took the train back and forth to Belfort to see Zach, and visited England, and suddenly came to the end of my contract.
* * *
I think sometimes my life seems charmed. It is. I have lived so many places, seen so many things, been free to make art and write and travel and send postcards. But it's also days in places that are far away from my family, my landscape, my old friends, familiar sounds. It's feeling foreign. It's being listless and feeling guilty for that, because I'm lucky enough to live as I do. The side of France I didn't talk about so much was the difficult one, the one that taught me about being a stranger and not-belonging. Taught me a lot about patience and letting things go. But it wasn't all tiny white lights hanging in the streets of a provincial French town where the bakers know your name and the butcher sings opera while he works.
Today is Bastille Day and I wanted to write about France, which for me represents both a time of liberation--of taking a huge chance and learning so much about myself, what I want, how I want to be, and the world--and of great stress. The difficult things about the year I lived there don't make it any less important for me, but I think it's good to acknowledge (and make clear to you, too) that they were there.

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Monday, July 13, 2009

everyday tone

perspective



The darkest point is just before the light.

The trenches were the most moving thing I saw in Belgium. Unbelievable that people could 'live' in them for weeks, months, years. And just beyond these was the river, which was flooded to halt the advance of German troops, and which must have sent mud and silt (and corpses and disease and rot) coursing through the holes, tunnels, bunkers, and pathways made of wood and sandbags. Crawling through this tunnel with the bright sun on my back as I entered I couldn't have felt further from those men in the same trenches. And all around me the Belgian countryside went on, buzzing with greenery and insects and the humid breath of cows, as though thousands of boys without names were not lying everywhere secreted in that landscape.

Wednesday, July 8, 2009

yo no te pido

que me bajes
un estrello azul
solo te pido
que mi espacio
llenes con tu luz
yo no te pido
que me firmes
diez papeles grises para amar
solo te pido
que tu quieras
las palomas que suelo mirar
i go in the water
...
(Pablo Milanes)

Monday, July 6, 2009

beautiful words, bits and pieces

I implicate myself in everything I make, fingerprint on plate, wavy line in sewing where my hand shook, my voice in my poems, my feet in my photographs. My speaking in my theory.
Luce Irigaray: "The highest rule of the word would consist in not appropriating the thing but letting it be as thing....how to let be the other while speaking, speaking to them. Moreover: how to encourage the other to be and to remain other. How to let the other come into presence, even to lead them there, without claiming to be their foundation" (The Way of Love, 2002: 29).
--
My garden is flowering in the sunshine. I found a house. I bought two rhubarb plants. I've been printing. My friend will fix my sewing machine when he is back and I want to sew, for the first time in ages. Not a manic period, but a slow regaining of myself.
My house will have colorful cushions, quilts, many pieces of art on the walls, a brown couch I've saved up for, my old and worn Persian rug.
I'll have friends over for parties in the garden. I'll open all the windows to let in the air. You are invited, too. Let me know if you'd like to come.
--
I think in a little while I will show you my new work, new prints, and have a few for sale and a few to give away.

Saturday, July 4, 2009

radishes



I started them as seeds and I was surprised when I saw the sprouts, which were red with tiny, bright green cotyledons. And I planted them outside in the garden my friends helped me make. And today I ate some of them for lunch (feeling just a little monstrous as I did), and they were fresh, crunchy, and spicy, just like I like. When I was in France a friend served me radishes with small knobs of butter on them, a combination which is delicious in its simplicity--the smooth, cold butter, the crunch and heat of the vegetable. Good food for hot days, late morning, before the heat really comes in.


Wednesday, July 1, 2009

days you do not have/ imperfectly composed



Teaching reminds me how alive I feel when I'm talking about what I love (poetry and making things) to other people. I'm a good teacher and that's mostly because of how good it makes me feel. I've also gotten more and more comfortable with being honest--in every way--with my students, including being silly, making a bit of a fool of myself, being very up front and direct in my criticism, and being the same with my praise. It feels so, so good to be back in a room talking about poetry.

And I'm also making new prints (and reprinting some old ones, for a party/fundraiser at LPW next week). There are little houses in them, gardens, telephone lines. Birds and foxes. Maybe foxes. We'll see. The fox--only rarely seen these days.

It's summer here, and it is wonderful, and tomorrow I'm having breakfast with a friend, then working in the printshop all day, and then going to get an armchair for my new house (which does not yet exist, but will). These days.