Caught my interest

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Thank you for your words, below.
Thank you for looking at the things I make.
Thank you for reading as I write about my remarkable and ordinary daily life.
Thank you for being generous.
Thank you for thinking of me.
Thank you for suggesting things to me I wouldn’t have thought of.
Thank you for commenting and letting me read about your lives, too.
Thank you for being a community that is dispersed and distant but somehow very present just when needed.

small theaters

Films by Joseph Cornell.
Improvisations by David Shapiro.
I updated my layout here to be a bit simpler. Links are over here now and I’m going to try to update them more often. All my highest recommendations for distraction, all in one place.

persephone books

30% off orders in my shop with the code ALMOSTDECEMBER. Calendars ship free with code SHIPFREE11. Both codes valid til 2 December.

pépé and granddaughter

favorites

From The Good Machinery, who I originally found on flickr, and whose photos I really enjoy, this golden-legged horse.

Almost anything Cecilia Afonso Esteves makes. I have a Lunario; it is beautiful.

This camera case from Therere Workshop is really nice, if someone you know has a camera to fit.

My feet are always cold, and I really like high socks. Oh, and cable-knit? Ideal. These are made in Estonia. Add a pair of wool shoes for maximum warmth. I would bet 90% of people reading this also like long, beautifully knit socks. It would be a bet I would win. Take THAT to Ladbrokes.

I like this rabbit. I like her bicycle. I would really like to give this to a certain bicycling couple in my family. Hmm. Or any cyclists with a sense of whimsy, really.

I hear that Martha will have metallic scarves soon, for an undoubtedly shortshortshort time (she sells out FAST). They’ll be here and they’ll be well-made and beautiful.

working on my calendar for next year

TOM!

fuji cupboard

Maybe you remember that last year I made a calendar. I enjoyed doing that, and I wanted to do it again, but since I’ve already used up most of the sketches from my England-sketchbooks, I wasn’t sure what to do. Looking through my project list, though, I realised that one of the things I want to make could be combined with–or, to put it more directly, could be–the calendar. I’ve been making drawings and trying to let them take me where they want. Last year I didn’t have a definite idea about the overall form of the calendar until later in the process and I think that kept me from being too rigid about what could go in or how to draw for it, and I want to try that again. When I get a sharp idea of what I want, I often end up either not having fun making it (because in conceiving of it so completely I feel as though I’ve already done the work, somehow!) or limiting myself and feeling like what I make is not as ‘organic’ as it could be or as though a form has been imposed by my expectations or my idea of others’ expectations of my subject/project.

In any case, these are three drawings from my sketchbook in the last week or so. They may or may not end up in the calendar, but here they are.

Recent beliked things:
Paper Darts
.
Airmail fabric, and lots of droolworthy linen in the same shop.
Agnes DeMille. Makes me want to dance in Rodeo.

That’s all for now. I’m buried in the last weeks of the PhD and kind of starry-eyed that I will get to hand it in (on 1 Sept., if all goes well) and also nose-to-the-grindstoning it. I can see how it would be easy to panic but for now I feel happy, excited, competent, and calm.

the bathhouse of the gods

at the bean

tools

ONE WALL: BLUE MEASURE

With the exception of one day last weekend, which we spent in the Black Mountains, and (finally) yesterday and today, it has been grey, white, dark grey, another grey, whitish grey, heavy grey here. Rain sometimes. Cold. Windy. It’s tiring. I miss waking up to bright, bright blue skies. But it’s also good weather (especially the sudden, very heavy downpours we’ve been experiencing) for working. Which is what I’ve been doing. Writing in coffeeshops (because my self-control when it comes to checking just-one-more-thing on the internet is abominable) in the mornings. Preparing bookmaking tutorials for the course I’m facilitating. Finishing this PhD and thinking about what’s next (although the finishing seems to last as long as the whole rest of everything: two months ≥ four years?!).

I made a cyanometer last week. Mostly because I find Saussure’s beautiful. In part in irony, since there is really no blue here to speak of. Also in part as an exercise in gradation and in putting hues in an order that makes sense to me. And I made a ‘blue sky’ to take the place of the one we don’t have, of the insides of envelopes and other blue objects. This is part of my ongoing use of my wall as an installation space (more here). I would like to collect enough blue papers and objects that I could make a whole sky, not just the suggestion of one, and grade it as the sky is–lighter nearer the horizon. Another time. This is practice in all meanings of the word.

Brain weather. I feel scattered. A little hazy. I have so much to keep track of, making list after list. It feels good, though. Except when someone tries to talk to me while I’m working or right after I finish work: then I am still too hazy, still completely wrapped up in my theory and writing and thinking through the logical propositions of my thesis, and I feel resentful or submerged. Better if I have a walk and then meet people or go home.

I am enjoying this mix. It’s on frequent work rotation.
Using pinterest to track textures for my writing: one story. Another story. I like watching the colors pattern.
This interview with Michel Houellebecq is difficult to read (for me, at least) but very interesting.

ONE WALL: BLUE MEASURE

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