return to the archive

Wow, it's been a long time since I wrote about Derrida. Well, let's change that. I'm re-reading The Postcard for the chapter I'm writing right now and it makes me remember exactly why I love Derrida. He is so materially romantic. The archive? Yes, it's the part of memory work that contains the trace of the past, and it's an important theoretical trope. But it's also a material love story for Derrida, who caresses his distant beloved via his careful treatment of the things around himself. He notices everything. The book is full of trains, photomatons, houses of cards, pots of growing myrtle, books, letters, postcards, photographs, traces of the beloved and the disappearance. And throughout it there is the insistence on the burning of the archive--let's destroy it as we go, let's start over, Derrida (or 'Derrida', because as readers we're not meant to be sure of who we are reading, I don't think) says. Let's build this record of all the things that I love and you love and then if we need to let's leave it all behind, poems and libraries and Purim cakes and telephones and hands and cut-paper flowers.

interim

In the interim, I have taught a lot of classes where I got to talk about surrealism, feminism, poetry, the semi-colon (also known as the king of punctuation marks), why women in the 18th century used lead to powder their faces, how to construct a thesis statement, why René Magritte is the most excellent painter of them all (this may be subjective).

I have thought about my thesis and had a very successful meeting with my supervisor. I've called home and called Z. and written emails and letters. I've written poems. I've written part of a film script. I've written some thesis. I've gone to a couple of workshops. I've made travel plans (Paris in May!).

I've gone to Bakewell and Buxton by bus, and watched the stunning beauty of the Peak District roll by the window. I've had tea with the Birdwoman. I've been so even-keel. I've enjoyed watching the light change now that it is late winter. I caught it just as I like it--light from the west, dark in the east, bright blue above, red-orange bricks that typify this city--the other day.

recommend.

(An unrelated drawing of the Walker Art Center in Minneapolis fulfils your recommended daily sketch allowance.)

Poetry readers, writers: I am in urgent need of your recommendations for single texts (NOT anthologies) to teach to intermediate/advanced adult students of poetry. I'm teaching a workshop this summer that will be a reading-as-writers (i.e., literature-based) workshop, and I'd just love to hear what other people would teach. I'm going to choose two books (maybe three); it's a two-week (6-day) course.

Right now my brainstorm list includes My Life by Lyn Hejinian; Glass, Irony and God, by Anne Carson; Residence on Earth by Neruda; Some Ether by Nick Flynn. I'd like books that are challenging formally or thematically but that students who aren't extremely familiar with recent writing could still enjoy (for that reason, the Hejinian is lower on my list). I'm thinking of structuring the course around the construction of the self.

Let the discussion begin. What text would you love to teach? What text inspired you (and/or still does)? What text do you wish you'd been taught? And why, why, why? All suggestions very welcome.